Archives

Vol 7, No 2 (2024)

Gay Cinema and Straight Shots

Sebastian Groes

5-22

The Way of the Sword: Film Violence as Political Protest

Pansi Toitre

23-47

Star Wars: The Force Awakens

Simon Schwimmer

48-81

Reclaiming Subjectivities: Reading the Film Poem in Afghanistan

Hather Begum

82-100

Motifs of fiction in Fassbinder

Adrienne Purgh

101-128

Journeys and Epiphanies in Emila Hantog's Bola

Rodrigo James

129-146

Vol 7, No 1 (2023)

Editorial

1-4

Woman, Islam and Modernity in East African Cinema

Toure Aboube

5-29

Presentation of Najib in Two Short Films

Azar Abdullah

30-57

Apocalypse Then: The Fall of Iran

Sahir Osamma

58-71

Does the Box Office really matter? The Case of Polish Cinema and Arts Funding

Ramon Wiezck

72-90

#Metoo in Global Cinema

Karina Phillips

91-115

Psychoanalysis and the Voice Over: Fragments of Truth

James Harewood

116-141

Kieslowski's Dekalog and the Four Virtues

Phillipe Maurice

142-168

Vol 6, No 2 (2022)

Editorial

1-5

The Films of LGBT Directors From Spain Living in France

Germaine Hunter

6-31

Transnational Life: Where’d I Be Happy?

Cassie Wycherley

32-48

No Country for Old Men and the Politics of Nihilism

John Masters

49-70

Bollywood, Nollywood, Hollywood: Stylistic Consistency Across Continents

Mark Llywelyn

71-87

Chlid Abuse and Cultural Relativism

Herzog Hanner

88-111

Vol 6, No 1 (2021)

Editorial

1-3

Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies.

Sara Marino

4-27

Howard Hughes and the Cold War Aviation Film Jet Pilot (1957)

Richard Andrew Voeltz

28-52

Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals

Michael G. Garber

53-86

Audience Reactions to the Different Aspects of Nollywood Movies

Uchenna Onuzulike

87-104

Bollywood of India: Geopolitical Texts of Belonging and Difference and Narratives of Mistrust and Suspicion

Iqbal Shailo

105-129

Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua

Minakshi Dutta

130-146

Pueblos Silenciosos/Silent Comunities: Within the Grain, Against the Grain

Özge Karayalçın

147-155

House of Affection: On the Way to the School

Volkan Yücel

156-167

Vol 5, No 2 (2020)

Editorial

1-4

The coming of age film in 1950s Peruvian cinema

Manuela Ortega

5-33

The Problem of Friendship, Family, Freedom

Geoff Woods

34-56

Spatiality in The Woodsman

Eva Krauss

57-83

Luc Besson and Memories of Mother

Fantasia Freeman

84-112

Between genres and styles in the films of Werner Herzog

Matthias Wolmer

113-136

Vol 5, No 1 (2019)

Editorial

1-3

Authorship in Cinema: Author & Reader

Mehir Nadam

4-19

A Methodological Approach on Cinematic City Studies

Janson Greer

20-36

The Evolution of Illusion vs. Reality in Special Effects

John Greenwood

37-46

Subtitling in the Moroccon Film Industry

Aman Al Hajhar

47-61

The Girl Next Door: An Intertextual Reading

Dexter Growst

62-78

Crenellations and Crevices in the Castle Films of Croatia

Kreat Tamas

79-109

Film Festivals and Censorship in Luxembourg

Danielle Ramous

110-121

Vol 4, No 2 (2018)

Editorial

1-4

Highways and My Ways: Tourism and the Self Drive in Mexican Cinema

George Braithwaite

5-33

Gilles Deleuze and Manoel de Oliveira

Marianne Coultard

34-48

Film As Nation Building: The Case of Sri Lanka

Samir Yuat

49-75

Crowdfunded Documentary in a Time of Crisis

Mike Heilmann

76-102

Flying Scenes in the Cinema of Lars Von Trier

Krauss Andelson

103-119

Film Narrative and the Baghwan

Preethi Gupta

120-139

Volumes 1.1 - 4.1 available as print issues.